What made Masaccio unique?
Unlike Giotto, however, Masaccio uses linear and atmospheric perspective, directional light, and chiaroscuro, which is the representation of form through light and color without outlines. As a result his frescoes are even more convincingly lifelike than those of his trecento predecessor.
What style did Masaccio use?
Renaissan…Italian Renaissan…
Masaccio/Periods
He is regarded by scholars as one of the key points of transition from the earlier Gothic styles into the true Italian Renaissance. Masaccio was one of the first Italian artists to employ techniques to create realistic figures and spatial depth, such as linear perspective, foreshortening, and chiaroscuro.
Where is the Holy Trinity by Masaccio?
the Dominican church of Santa Maria Novella
The Holy Trinity, with the Virgin and Saint John and donors (Italian: Santa Trinità ) is a fresco by the Early Italian Renaissance painter Masaccio. It is located in the Dominican church of Santa Maria Novella, in Florence.
Who was Botticelli’s teacher?
artist Fra Filippo Lippi
It is thought that Botticelli first trained with Maso Finiguerra, a goldsmith, before entering the studio of the artist Fra Filippo Lippi. He began his career painting frescoes for Florentine churches and cathedrals, and worked with the painter and engraver Antonio del Pollaiuolo. By 1470, he had his own workshop.
Who commissioned Masaccio Holy Trinity?
Domenico Lenzi
The work was commissioned by Domenico Lenzi and his wife, as a mural painting for the family remembrance chapel at Santa Maria Novella. However, the feature that made it one of the 15th century’s most influential Renaissance paintings, is its use of single-point linear perspective to organize its composition.
Who are the donors in the Holy Trinity?
The Holy Trinity, with the Virgin and Saint John and donors (Italian: Santa Trinità ) is a fresco by the Early Italian Renaissance painter Masaccio. It is located in the Dominican church of Santa Maria Novella, in Florence.
Did Botticelli live with the Medici?
During this scene she claims that he was an orphan and that the Medici family raised him alongside their own, recognizing his artistic talent. In reality, Botticelli was the son of a tanner and was not an orphan. He was given an apprenticeship by Filippo Lippi, who was a Medici artist himself.